“The one thing somebody told me which helped me a lot was, ‘The A material definitely lies beneath the B material.’ You have to let yourself go, and accumulate a lot of crap, and then sift through it to get to the good stuff. You can’t rush it. A lot of times I’ll pick up the guitar and play, and if a song’s not coming, I do something else— clean the house, listen to some music—and come back to writing later. There is a time for your internal judge to come in and make the call, but you have to free yourself from that in the beginning stages of the creative process. I’ve often stifled myself because I was trying to bash the music into shape instead of letting it lead. When I shut off the judge in my head, music usually comes quite easily.”
“Songwriting is like a thunderstorm building up inside me. If I don’t write songs, I get all bottled up. It’s almost like a survival mechanism. For me, music has to have a little speck of intrigue or the unknown. Also, I’m an old school romantic in the sense that even if you write songs about dark stuff, the root of the song should be about going through the tunnel and coming out on the other side with a happy ending. I’m not into songs that are just about self-pity or self-indulgence. I usually look at songs as little trips that show you going on your way to some other place.”
“Very often, ideas come to me when I’m falling asleep—when the busy mind gets out of the way, and the intuitive, imaginative mind gets a shot at the steering wheel. My friend, science fiction writer William Gibson, told me, ‘It’s an established phenomenon. The elves take over the workshop. That’s why all writers keep a pen and paper by their bed.’”
“I’ve got so many notes and little things that I write down every day. Some of those lines are really important, and I’ll just take one and move on from there. Sometimes, there’s more than just a line, and sometimes there’s nothing. There’s a song title, and you just go. That’s the beauty of it. Even if I do have an idea of where I want to be, I might end up somewhere else— which is even cooler. But you can’t get to that spot unless you travel the other road. You might be all frustrated, and then one line will just open up so many doors.”
For full article, please go to Songwriting Tips from the Hitmakers here.
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