Category Archives: Music I Like

Popfest: Save Gaza 22-23 Dec, 2012 @ UITM Shah Alam

Popfest Save Gaza 2012 Uitm Shah Alam

Come if you can. Lots of arts and music to be found, and proceeds will be donated for the cause.

Also, later that night on 22 Dec 2012, I will be doing my last gig for the year at what is currently known as “Maskara Runcit-Runcit”. Those Sindiket Sol-jah boys never learn their lesson, apparently. It is going to be held at UITM Shah Alam, which is nearby my house but very far from everyone and everything else; but it is going to be a good show, I promise. You might even win some small tokens from us.

Anyway, save the date. Details to come soon. Like before, I will be the first performer of the night so come early or blink and you will miss me. Wear white or red to show your support.

To tide you over, here’s pic from the last one in Auditorium, KL Library (photo credit (c) Pert Doherty).

ia-maskarashowcase

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Maskara Showcase 17/11 @ Auditorium, KL Library [Confirmed]

Maskara Showcase Nov 17 2012

Signed. Sealed. I can’t back out of this even if I wanted to.

I am going to do a set of songs called “The 5 Stages of Grief”. I only thought it up tonight when I was asked to submit a synopsis of my set. I went, sh!t, synopsis? So I went for the easiest – everyone’s had their hearts broken at some time, yes?

All these songs, except for one, are new or previously unrecorded. Three of them are still in various stages of undress, which means I have a day to complete them and another day to memorize them. Risky. But I laugh in the face of danger. Ha. Hahahaha. It’ll be fun to watch me fumble. You’ll see.

Come if you can. Mine is the opening act, so if you are late, you will miss me.

DETAILS

  • Date: 17 November 2012 (Saturday)
  • Time: 8-11pm
  • Venue: Auditorium, Kuala Lumpur Library (near Dataran Merdeka); No 1, Jalan Raja Laut, 50500 Kuala Lumpur. Map here.

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Maskara Showcase 17/11 @ Auditorium, KL Library

Maskara Showcase 2012

Would you believe it, they asked me again, complete with official posters and all!

Come if you can. My set is early in the night so don’t be late or you will miss it.

DETAILS

  • Date: 17 November 2012 (Saturday)
  • Time: 8-11pm
  • Venue: Auditorium, Kuala Lumpur Library (near Dataran Merdeka); No 1, Jalan Raja Laut, 50500 Kuala Lumpur. Map here

It’ll be an acoustic set; just me and a borrowed guitar.

Will I see you there?

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Songs of My Youthful Days

Acoustic Guitar by (c) http://www.sxc.hu/profile/sofamonkez

I am starting to write songs for myself again.

Not that I ever stopped – I still occasionally write for friends or entertain the odd requests for collaborations. But not for me, I stopped writing songs for me or about me a long time ago.

Why? I just didn’t have anything to say. I suppose you could say that I am a lot more private about my private life these days.

It’s not like I haven’t had my heart broken  (after all the best inspiration strikes when the heart is broken, yes?). But I didn’t want to commemorate these with a song. These boys, they’re not worth remembering. I don’t want any traces of them in my life, not in my memories, not in my songs. I was better off without them – I became saner, nicer to be with, fun-ner. I don’t want any of them to listen to my stuff and think, f*ck yeah, she wrote that about me, about us.

Please. You’re not that memorable.

I am starting to write again because an encounter with a long lost friend reminds me of my youthful days.

I was a snob in college. I hardly socialized. I was only friends with a select group of people.

It’s not that I wasn’t friendly. It’s just that, at that point of time, college was not where I wanted to be. I felt shackled, indoctrinated.

Writing songs, jamming with my motley crue – that was my release. It gave me something to talk about, something to share.

In a time when I had nothing in common with the people around me, we found truce in music. It it wasn’t for music, I would have never spoken to him, never known him.

I like that.

Hence I am writing again.

The next collection of songs that I will be recording on my creaky laptop and even creakier mic will be dedicated to this boy. Not because he is someone special, but because he made me want to write again. Because he reminds me writing songs is not just good to mend broken hearts, it is good to bridge the time that is lost between us, too.

The Applause has been sitting in the corner, gathering dust, for too long.

This is my liner note to him. No names. But thanks babe, you know who you are.

(To check out songs from my first collection which I entitled “Three Phases to Goodbye:, click here)

Photo (c) Acoustic Guitar by Sofamonkez

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Mr. Children Lego® Cuusoo Fan Project

Sakuretune needs your help for his Lego® Cuusoo project.  He has designed key rings and mobile straps to commemorate Mr. Children’s 20th Anniversary. He needs 10,000 support in order for Lego® to review and consider it for production. How can you show your support?

  1. Go to: Lego® Cuusoo Mr.Children 20th Anniversary Memorial Goods
  2. Click the SUPPORT button on top right.
  3. Done? Help share this news to other Mr. Children fans. You can find the share button at the bottom of this post.

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These are Sakuretune’s designs, and below it, the PV:

Lego Cuusoo Mr. Children Key Ring (c) Sakuretune

Lego Cuusoo Mr. Children Mobile Strap (c) Sakuretune

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Songs To Kill Time – Redux

Time - Photo (c) http://www.sxc.hu/profile/saavem

April 1, 2012

Since this was asked after the Maskara Makwe-Makwe last night, here’s the post once again.

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To Marini: let’s pretend that this is my album and you are reading the liner notes.

[Download the tracks and lyrics in one single file right here. 42MB, takes about 5-15mins depending on your internet connection speed. Use Internet Download Manager for faster results.]

I sing. I write songs. When the planets are aligned just right, I might even come out to perform them. In public. Sometimes I record them. Mostly so that I will remember how to play them. My interest comes and goes. Some days I can’t put the guitar down. Other days it gathers dust and cobwebs in that lonely corner of my living room.

I record these, every now and then, so that I remember these little pieces of my life.

There are notebooks upon notebooks that are torn at the edges under my bed, full with scribbles and rewrites. Songwriting is not a release (karaoke is). It wasn’t to communicate. There isn’t something inside of me that wanted to come out. It is just another form of writing, I guess. Only, much simpler and shorter. Easier to remember.  Eventually it becomes something that I would do absentmindedly – on the bus, while lining up to pay for the groceries, at the movies, during lectures – much like how you hum a tune while you work. I don’t have a process, just like how I write without having a specific thought in my mind and just let my fingers type whatever that is running through my head. Some days bring you rain, some days bring you songs.

I never did stop singing or writing. It is a sum, an aggregation of all the little things that make up my existence. It is not a definition.

But I did stop performing in public.

Somewhere along the way I find that singing for strangers who don’t care about me or want to listen to what I have to say brings me no joy. It’s not the strangers’ fault. How do they say it? It’s not you, it’s me.

This collection of songs is autobiographical. Each song, in fact, was written with someone in mind, or for someone. For instance, “When I Hold Your Hand” and “My Heart Talking” were written for friends who wanted to impress their long distance girlfriends; “Wishlist” was my version of a cheesy love song (its original title was A Cheesy Song, I still have notes from way back when to prove it); “Scream At Me” was a poem written after a very long, protracted argument that ended with years and years of silence (10 years, to be exact), and “I Wrote This” was written on a rainy Valentine’s Day back in the year 2000, as I was going home from another late night at the office and saw dead roses scattered on the wet pavement.

Many were written during the life and death of several different relationships. Specific beginnings in fact –  Phase 1: the moment when I start to (reluctantly) fall in love; Phase 2: the part when I have to deal with the realities of life and everything else in it while trying to make the relationship work; and Phase 3: the time when the relationship starts to break… that awful awful realization that this is going hurt a lot more than I’d think it would.

What you will hear are the songs in their original versions, the way I heard them in my head when I first wrote them. Over the years some of them have changed a little bit, some of them have changed a lot. But these were how they were born. If you listen closely, you can hear the sound of someone washing the dishes in the kitchen, the sound of the toilet being flushed, door being slammed, girls talking etc. In one song (which is not in this collection by the way), you can even hear the sound of a motorcycle speeding away and a rooster crowing somewhere.

That’s a slice of my life for you. To kill some time.

—————————————————————————————

[Tracklisting  and quick explanation of each song are included below]

1. Phase 1
2. Revelation
3. Suga Pop Candy
4. My Heart Talking
5. Wishlist
6. Phase 2
7. Needful Things
8. As I Hold Your Hand
9. Can’t Change You
10. Spare Me Your Snatches of Time
11. Scream At Me
12. Goodbye Song
13. Puisi Akhir Musim Bunga
14. Phase 3
15. Stupid Reasons
16. Amused
17. Let’s Not Talk About Ifs
18. Yang Sebenarnya
19. I Wrote This

Phase 1: Around 1999-2002 I used to go to a cafe called Strudel’s that was located in Lucky Garden, Bangsar every Saturday at 4pm. It was such a routine that friends would just randomly turn up on Saturdays on the off-chance that I would be there reading a book or writing a song. This was written on one such afternoon, fueled by a fresh strawberry tart and several glasses of latte and a boy that I was trying not to think about too much.

Revelation: About a year after I moved to my old apartment in Sunway, I found an unfamiliar cassette tape in the box of books that I was about to unpack. There was a boy that came over to my apartment back in Vista to help me with its packing. I have no doubt that he was the one who left the cassette in there. I played it and understood what it meant immediately. But by the time I discovered the cassette we were already estranged. I tried to talk to him about it but I guess too much time had passed, so the moment too, passed for both of us.

Suga Pop Candy: This was fueled by too much sugar. It was one of the first 3 songs that I wrote (the other 2 being “Stupid Reasons”, which is included in this collection, and “Fool”, which isn’t) and I was still in university at that time. It must have been 1994 or earlier. Written for a friend who was in UTM Sekudai, right after he came to visit me in college to commiserate about his broken heart (which I was not responsible for). This song was an attempt to cheer him up.

My Heart Talking: This is a song written during my Vista days when my apartment was constantly full with friends and strangers who needed a place to sleep or to eat or just someone to talk to. One of the boys wanted to impress his girlfriend, who was studying in UITM Arau. So we started with writing the lyrics first, and I wrote the melody a few days later. He could not sing this, so we recorded it on a cassette tape and he gave it to her together with a bunch of flowers the next time he went to visit. The relationship did not last of course, they were only 19! But oh to be that young and that naively optimistic in love all over again.

Wishlist: Wishlist took 4 years to write. The melody has been at the back of my mind since 1995 and I was humming it everywhere I went. But I could not seem to find the right words. There were many aborted attempts at writing the lyrics, until one night a friend remarked that it was a song in A minor. We laughed at the cheesiness of the combination of chords. So for the longest time, the working title for this was “A Cheesy Song”. Right around the same time Pearl Jam released an album that contained a song called Wishlist. The word “Wishlist” stuck to my mind and eventually I saw this song as two people, who knew how each other felt, but would rather it remain un-said than spoken out loud.  Wishes that didn’t come true. Just a list. The song wrote itself after that. This is my most requested song, maybe because everyone at some point of their lives has experienced the pain of unrequited love? I don’t know. I used to hate singing it because I didn’t understand why telling someone you love him/her is so difficult. Learned my lesson since.

Phase 2: This was written in late 2004. Awa was just learning to play the guitar and was trying to figure out how to play this so I recorded it in her laptop as a suprise. I was in a great relationship with a great guy but was uncomfortable with him worshipping the ground that I walked on. What if he discovers the real me? What if he hates the real me? Love goggles. Scary thing, that.

Needful Things: A close friend was going through a personal tragedy. But I was not able extricate myself away from work to be there for him. I spent two days locked in my room listening to “P.S. A Retrospective” by Toad the Wet Sprocket to work through my guilt. There was a song called “I Will Not Take These Things for Granted” on the album. That line spurred me to write this as my apology of sorts. It didn’t bring me much comfort and I have never been able to perform this without having to stop a few times to calm down. It has only been performed in public once, and I think it will remain that way.

As I Hold Your Hand: This, too, was written to impress someone’s girlfriend during Vista days. But the boy decided not to go ahead with it so it remained unfinished. Not long after I started having problems sleeping at night, something that persisted til today. The weekend before that I had slept at my sister’s place and my niece held on to my hand the whole night to calm me down. I doubt if she remembers that. A close friend was sleeping over one night, I went out to the living room to wake him up and asked if it was okay for me to hold his hand for a while until I get sleepy. He laughed at the unusual request but acquiesced. Til today, I sleep with one hand holding the other across my heart. That was how I decided to finish this song, that sometimes you don’t have to say or do anything – a hug, a hand to hold – and all that needs to be said would have been perfectly understood.

Can’t Change You: I wrote this song in one night. People change. Feelings change. That’s all I can say and that is all there is to it.

Spare Me (Your Snactches of Time): 2003. I was sick of being a convenient friend. It happened just once too many times.

Scream At Me: This was a poem that I set to song. The room in my old apartment faced Sunway Pyramid. It was raining very lightly and the lights from the mall glowed like stars. At that exact moment I was overcame with a terrible sense of loneliness and longing for someone that I haven’t spoken to or seen for a very long time. Sometimes things just get so screwed up and stubborn that way. What can you do?

Goodbye Song: I have a very vivid memory of this song. I was playing Wild Arms 3 on the playstation when suddenly I was hit by an uneasy feeling so strong that I stopped playing and looked for my mobile phone immediately. I dialed a number and blurted: babe, if you are with someone else you are breaking my heart. He went very quiet. I am sorry, he said. I didn’t mean for you to be the last to know. Much to my shock, I burst into tears.  I was genuinely sad that it was confusing. There was no reason for it. We were not in a relationship. We were just friends, plain and simple. I did not have that kind of feelings for him. But something clicked in my head that night and suddenly I understood all the words between the lines. The cassette tape that I found a few weeks later, and “Revelation”, the song that followed, was written for him. I guess I am not that good at reading clues. Awa told me to let it go, not only that it was not meant to be, she said, he was never yours to begin with. This is the same boy that flashes through my mind when I hear the song “Drawing” by Mr. Children. The guilt lasted for years and it was only in 2007 that we reconnected. But you can’t go back, can you? And the friendship was never the same again.

Puisi Akhir Musim Bunga: This was the first song that I wrote in Bahasa Melayu. The title was the title of a poem that I liked when I was a teenager and two lines in the chorus were taken directly from the song “Rindu Abadi” by Rausyanfikir. I wrote this in late 2004 and intended to perform it at the Starbucks Songwriter series, but I ended up using a different repertoire altogether. It was written after receiving a phone call from someone whom I used to go out with. We were on good terms (still are) and I asked why did we break up at the first place. He said I don’t know, you were the one who dismissed me one day. The word “dismiss” stayed with me for a long time. Hearing him saying it without a hint of irony or anger made me feel ashamed about how reckless I was (am?) with other people’s heart.

Phase 3: Is there such thing as the love of your life? Does soulmate exist? I don’t know. But if there is, this was written for him. Vee came up to me when I was done singing this, the one and only time I performed it in public, and gave me a hug. That song was very telling, she said, but I hope and I know you will be fine some day. I am still waiting for that day :-(

Stupid Reasons:  Why do people lie and give me stupid reasons and pretend that they are ok, that they are not in pain, that they can live without a heart?

Amused: I never forget. I can laugh about it. But I don’t forget. Remember that.

Let’s Not Talk About Ifs: For a boy that keeps reappearing in my life, trying to make amends for past choices. I am not bitter or angry. It’s just that talking about ifs is very tiring and trying.  I don’t think we were a victim of circumstance, I think we are  romanticizing a past that did not happen. We would have made the same choices today. The reasons that made us do what we did were real and they exist as long as we do. Nothing’s changed.

Yang Sebenarnya: When giving up and walking away is the best option. Love, is almost always, never enough. Like Job said, it is like a broken glass. Even if you are able to put it back together, the glass will never be the same again. I guess when being together hurts more than being apart, the decision is already made for you.

I Wrote This: Valentine’s Day 2000. It was raining and I was working late. As I waked to the taxi I stepped on dead rose petals that were scattered on the pavement. It wasn’t depressing, it was just sad. This is my favourite song. It is about acceptance – admitting that I am not fine but knowing that I am going to be ok… some day. And if I close my eyes  and breathe real slowly, I can still remember how I felt that night. And that gives me hope because hard as it was, I got through that difficult moment alone and on my own terms, and I am still alive.

-END-

Credit:

Local Time 3, photo by Saveem (all rights reserved and restored to owner)

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Come One Come All to Maskara Makwe-Makwe

Update 2 April 2012:

IA at the Maskara Makwe-Makwe. Thanks Sindiket Sol-Jah for the invite, if they are sorry about it….tough.

You can see videos of all Maskara Makwe-Makwe performers here and past Maskaras at the Tentang Seseorang channel in youtube, here.

If you want to check out my stuff, you can click here for the liner notes and a master file download; I also previously uploaded 3- 4 songs onto youtube that you can see in my channel here.

And as always, (some of) my groupies:

 

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Tonight’s Maskara Makwe-Makwe, my first public gig in 5 years. I am just doing a couple of songs (easy peasy), the bulk of the night will be filled with poetry and reading of excerpts from published manuscripts. So the only thing that  I am sweating about is what to wear because my normal attire is not exactly artcrowd-friendly, more like danceclub-friendly if you know what I mean. I have a basic idea of what to play but I am still undecided on the final playlist so you will just have to come if you want to see what makes the final cut.

Maskara Makwe-Makwe starts at 8pm. Come early because parking and seats are limited.

The address: PERSATUAN PENULIS NASIONAL MALAYSIA (PENA), Off Jalan Dewan Bahasa, 50460 Kuala Lumpur. It’s located not far from Restoran Tupai-Tupai and faces the MAA building.

GPS co-ordinates are: 3.130682, 101.702601.

Will I see you there, sweetie darling?

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Come Cheer Me Sing!

Party planning is not all that I have been up to, you know! Self explanatory. Come. I’ll wear something good ;)

 

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When Your Creative Work Is No Longer Yours

Right now there is a film called Ombak Rindu that is making its round in the local cinemas. Allegedly this film has collected in excess of RM5 million in its first week. If this performance continues, Ombak Rindu will be one of the best-selling local movies in recent times.

I am not here to write about Ombak Rindu, the film. What interest me is the controversy surrounding the payment received for the adaptation of the novel of the same name.

Long before Ombak Rindu was a film, it was a novel by a (then) unknown writer called Fauziah Ashari. She signed a publishing contract with a company called Alaf 21. I am not privy to the details of the contract, but Alaf 21 recently revealed that the book is in its 24th print, with the final print being 40,000 copies, and that Fauziah has received RM219,000 in royalties for previous sales of the book. If the latest print is sold out, she stands to receive RM50,000 in royalties.

Ombak Rindu the book sells for RM19.90. So let’s do a little math for this latest print:

  • Unit price of book RM19,90 x 40,000 copies = RM796,000
  • Publisher bears all the cost of printing, distributing and promoting books, let’s assume this to be on the high side i.e. 30% of gross sales, so that’s RM796,000 x 30% =  RM288,800.
  • Since royalty payment is always calculated on net sales, and Fauziah gets RM50,000, that means she gets 50,000/(796,000-288800) x 100% =  9% (I round it up)
  • If you deduct all these costs and royalty payment, Alaf 21 still makes a cool half million out of this author’s creativity, or 91% of the net sales.

While I am not here to argue whether the contract was lopsided or otherwise, I would like to point out that in 1998, authors (originators of the creative content) receive between 8-12% royalty against sales, after all expenses were deducted. If you were the singer/band, you get between 8-10%. So, if you were a singer-songwriter and you were smart about the deal, you could receive up to 24% in royalties. The record company still takes the lion’s share though, that’s the way the world was then and it’s the way the world is now. Fauziah signed her contract in 2001 so her 9% deal would have been standard.

Now, 23 prints later Ombak Rindu became a massive hit among local readers. A movie production company Tarantella Pictures approached Alaf 21 to get permission to adapt this novel into said film and for this Alaf 21 was paid a grand sum of RM4,000. Alaf 21 then apportioned RM1,600 to Fauziah, which is 40% of payment received. Small, yes; but certainly higher than 9%.

At the pre-screening of this movie, Fauziah expressed her disappointment at the way it was being adapted, saying that some key scenes were removed or altered. Creative differences is always a tricky thing, writing a screenplay is not the same as writing books: scenes have to be shorter, lines have to be punchier, certain events have to be altered to fit the pacing and timing of the movie bla bla bla. Nothing much happened aside that, remember at this time the movie was yet to be released to general audience.

Then the movie opened. When the movie was said to be hitting its first RM2million, Fauziah came out in the open, expressing her disappointment at the small payment that she received for the film adaptation – we know now that the sum was indeed very small i.e. RM1600.

Camps were divided: some felt Fauziah is greedy and ungracious (an opinion that Alaf 21 itself has expressed in its press conference about the matter); and some felt she was cheated and should receive some form of royalty or further remuneration being that the movie is such a hit. No novel, no movie, right?

Alaf 21 (in the same press conference) made this statement (verbatim, taken from Beautifulnara.com) – the bold highlights are mine:

Pihak kami telah menjelaskan kepada penulis-penulis kami untuk membaca dan memahami sepenuhnya kandungan kontrak sebelum tandatangan. Malah, di dalam kontrak, terdapat klausa yang menyatakan pihak penerbit boleh melakukan apa sahaja kepada hasil karya penulis sama ada diadaptasi kepada pelbagai bentuk tanpa perlu merujuk kepada penulis. Projek filem adaptasi ini merupakan satu langkah promosi untuk melariskan kembali jualan buku yang kini sudah kembali dicetak sebanyak 40 ribu naskah

Roughly it translates as follows:

We have explained and made clear to our authors to read and fully understand their contracts before signing them. In fact, in the contract there is a clause that states the publisher can do anything to the creative works of the author, including adapting it into any other form without referring to the author. This film adaptation is a promotional activity to induce sales of the book, where 40,000 copies have been reprinted.

More than 10 years ago, I wrote about the basics of copyrights and contracts. A couple of years back I updated these and they are now available in two separate posts that you can find under the Rockstar Manual tab.

Fauziah’s case is EXACTLY what happened to a lot of musicians that I know. They signed away their publishing rights without knowing it. From Alaf 21′s statement above, it is pretty clear that they hold and manage the global publishing rights to the book and its permutations. In other words, if they made t-shirts, songs, greeting cards, bookmarks, comics, or even a theme park based on Ombak Rindu the novel, Alaf 21 does not have to consult Fauziah and, I suspect, does not have any obligations to pay her further for these adaptations too. In other words, when they claimed they were being generous by sharing 40% of the payment they received for the movie adaptation, they were!

Let’s pause for a while so that you can digest all this information.

No outrage now please, I am not writing this post to argue about the unfairness of it all. The world works that way, deal with it.

The question you would like to ask me now is this: is Fauziah screwed indefinitely?

I don’t know. It pretty much depends on the original contract that she signed with Alaf 21. These are the questions Fauziah needs to answer:

  1. How long is the term of appointment, or the duration of the contract?
  2. What are the territories covered – is it just Malaysia or globally?
  3. What are the languages covered, for example if the novel is translated into other languages, will she still get payment? Or, if other languages are not covered, can she then sign a contract with a different publisher to produce the book in English, for instance?
  4. Does “adaptations” cover digital distribution? For instance, if she sells the book via Kindle, does she need to pay Alaf 21 91% of the digital sales revenue?
  5. What are the remedies if she decides to terminate the contract and re-negotiate a new one?
  6. Does she include back-end deals in the contract like royalty for syndication, royalty against movie ticket collection etc?

As for me, I stand by my original opinion – authors, be it musicians, painters, writers, even software engineers – need to understand their rights and take the time to dissect a contract thoroughly before signing it. Yes reading contracts, taking care of copyrights matters…. they are a pain and mostly academic. But you will regret it if you don’t – she didn’t say it outright but I infer from her outrage Fauziah is probably now wishing she had been a b*tch during the contract negotiations stage and discussed all these matters before signing them.

I think it is a failure on the authors part if they didn’t do this – complaining about it now or saying “But I didn’t know that” is  crying over spilt milk. The repercussion, as you can see in Fauziah’s case, is in the millions. You may think she made a lot when Alaf 21 revealed that she has received RM219,000 in royalties, but remember that THAT is only 9% of the revenue. Alaf 21 would have made mmmmm…. RM2.4million and change, maybe? Let’s just say it is more than enough to buy an Audi R8.

And judging from the reaction to Ombak Rindu the movie, Tarantella seems to be well on their way to collecting their millions too.

This is a cautionary tale. Know your rights, protect them, be smart about it. Don’t feel that just because you are a newcomer or a small fry you have no voice. You do. The creative work is yours, you can tilt the power balance to your advantage. No authors, no novel/song/painting – see?

Think about it.

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90 For 90′s

I Love the 90sA selection of 90 songs from the 90′s, segued in random order. The method that I use is to recall a band and select its first song that comes to my mind.

You can listen to the playlist here: 90′s Music I Miss

  1. I’ll Be – Edwin McCain
  2. Fall Down – Toad The Wet Sprocket
  3. No Time – Frente
  4. Freshmen – The Verve Pipe
  5. Barely Breathing – Duncan Sheik
  6. Good – Better Than Ezra
  7. Black Hole Sun – Soundgarden
  8. Runaway Train – Soul Asylum
  9. Tender – Blur
  10. Don’t Look Back In Anger – Oasis
  11. Creep – Radiohead
  12. Interstate Love Song – Stone Temple Pilots
  13. Sunny Come Home – Shawn Colvin
  14. One of Us – Joan Osbourne
  15. B!tch – Meredith Brooks
  16. Kiss Me – Sixpence None The Richer
  17. Zombie – The Cranberries
  18. Out Of My Head – Fastball
  19. Meet Virginia – Train
  20. Every Morning – Sugar Ray
  21. Someday We’ll Know – New Radical
  22. I Will Buy You A New Life – Everclear
  23. Closing Time – Semisonic
  24. Breakfast At Tiffany’s – Deep Blue Something
  25. Semi-Charmed Life – Third Eye Blind
  26. Push – Matchbox Twenty
  27. Selling The Drama – Live
  28. Arms Wide Open – Creed
  29. Name – Goo Goo Dolls
  30. One Headlight – The Wallflowers
  31. Losing My Religion – REM
  32. Basket Case – Green Day
  33. Come Out and Play – Offspring
  34. Mr. Jones – Counting Crows
  35. Two Princes – Spin Doctors
  36. I Am One – Smashing Pumpkins
  37. Daughter – Pearl Jam
  38. The Last To Know – Del Amitri
  39. Til I Hear It From You – Gin Blossoms
  40. Loser – Beck
  41. Let Her Cry – Hootie & The Blowfish
  42. Are You Gonna Go My Way – Lenny Kravitz
  43. Lump – Presidents of the United States of America
  44. Wake Up Boo! – Boo Radleys
  45. Old Apartment – Barenaked Ladies
  46. Counting Blue Cars – Dishwalla
  47. Shine – Collective Soul
  48. No Rain – Blind Melon
  49. Kiss From a Rose – Seal
  50. Crash Into Me – Dave Matthews Band
  51. Under The Bridge – Red Hot Chilli Peppers
  52. What’s Up – 4 Non Blondes
  53. Smooth – Santana
  54. Walkin’ On The Sun – Smashmouth
  55. The Chemicals Between Us – Bush
  56. What I Got – Sublime
  57. Freak On A Leash – KORN
  58. Bittersweet Symphony - The Verve
  59. Walking After You – The Foo Fighters
  60. Carnival – Natalie Merchant
  61. Allright – Supergrass
  62. So Little Time – Arkana
  63. Shelf In The Room – Days of the New
  64. Your Woman – White Town
  65. Take A Picture – Filter
  66. Drive – Incubus
  67. High – Feeder
  68. If You Could Only See – Tonic
  69. Sway – Bic Runga
  70. Everything You Want – Vertical Horizon
  71. A Design For Life – Manic Street Preachers
  72. Run Around – Blues Traveler
  73. Muscle Museum – Muse
  74. Ana’s Song – Silverchair
  75. Stay Together – Suede
  76. Closer – Nine Inch Nails
  77. Here and Now – Letters to Cleo
  78. Only Happy When It Rains – Garbage
  79. I Will Survive – Cake
  80. Back To School – Deftones
  81. Lovefool – The Cardigans
  82. Rotterdam – The Beautiful South
  83. Black Velvet – Alanah Myles
  84. Rooster – Alice In Chains
  85. All Apologies – Nirvana
  86. Down – 311
  87. The Impression That I Get – Mighty Mighty Bosstones
  88. 4am – Our Lady Peace
  89. My Own Worst Enemy – Lit
  90. A Thousand Trees – Strereophonics

I leave you with what I consider the definitive 90′s song, at the height of the alternative movement (no, it’s not by Nirvana). This was the anthem for college kids back when we were rebelling against waking up early to go to class while trying  to figure out what we want to do with the rest of our lives. Enjoy.

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